 |
River Magic, pastel, 12x16 |
River Magic was painted in the studio after a lackluster attempt at a plein air painting in oil of this same scene. Looking back at the plein air version, I guess it wasn't so bad, but I just moved very slowly on it and didn't get very far. I think eventually I lost sight of what I wanted to do with the painting.
Back in the studio I looked over some photos I took of the scene. I also tried something with the photos that I hadn't done in awhile. I went into Photoshop and increased the color saturation...not a lot, but just enough to have some additional color information to work with in the painting. Since it was somewhat of a backlit scene, the light was pretty flat in most areas except for the thin highlights on the trees and in a few spotty places on the water. I needed to find a way to create interest in the water and background trees without the use of very much value contrast. When I don't have value contrast to work with, I often make use of
color contrast to create interest.
 |
original photo |
 |
Increasing the saturation in Photoshop basically exaggerates what little bit of color is already present. |
 |
my plein air version (oil) |
The dramatic highlights on the trees were what originally caught my eye when painting this on location, so I still wanted to be sure to capture that in my next attempt. I think I did manage to get some of that down in the plein air version.
Since I decided that color was going to play a key role in my pastel version, I started with a more colorful underpainting rather than my usual monochromatic value structure.
A few demo shots of the beginning stages...
 |
initial layers using Nupastels |
 |
alcohol wash |
 |
getting the background going |
I have many failed plein air paintings, but I consider each and every one very valuable time spent. Each one represents more time studying the landscape and learning its nuances. For this particular one, I wanted to try the studio version very soon after the plein air attempt so that much of the scene would still be fresh in my memory. It really was a very beautiful, magical spot along the Chattahoochee River on the day I painted there, and that's what I wanted to capture with the dramatic backlighting and subtle color contrasts. It's a nearby location for me, so hopefully I'll be back to paint there many more times!
I like all your paintings Barbara but this really stands out to me. Congratulations on turning a "failed" plein attempt around in the studio. This is why the camera will never replace the artist.
ReplyDeleteHello Barbara...I've been receiving your blog information for sometime now and i just want to tell you how helpful i am finding them! this one particularly! i'm a very beginner landscape pastel painter, and feel like a huge sponge right now.....so thanks for all the work you put forward, it is very inspirational and helpful.
ReplyDeleteCheers, Linda Wright
Thanks, David and Linda! I really appreciate your nice feedback. Always glad to hear if the information I post is helpful! I enjoy sharing it.:-)
ReplyDelete